Ethan Miller/Getty Images

From Spokane to Serbia, Nigel Williams-Goss sees NBA dreams take a detour

1 Comment

The Grobari was the most shocking part.

After two seasons playing in the Pac-12 and two years at Gonzaga, where The Kennel is renowned as one of the best student sections in college basketball, Nigel Williams-Goss was still not prepared for what he was going to encounter playing for KK Partizan, a Serbian club in Belgrade, one of the few European cities that is as crazy about basketball as they are soccer.

Grobari is what the Partizan fans call themselves — as in, “I’m Grobari” — and they support both Partizan’s basketball and soccer teams. Rabidly. When they behave, they’re called Ultras. When they don’t, which is fairly often, they’re referred to as Hooligans.

“I’ve see the flares being lit in the gym,” Williams-Goss told NBC Sports in a wide-ranging interview last month. “I’ve had times where I had to cover my head with a towel because the fans start throwing lighters and coins because they disagree with a call.”

“I remember one time we were playing a team and as they were warming up, our fans just threw like 100 rolls of toilet paper so they couldn’t warm up. They kept having to sweep off the toilet paper, and then they would throw rolls again.”

That is where Williams-Goss, coming off of a first-team All-American season for a team that lost in the national title game, spent his first season as a professional, wearing the badge of the highest college player selected in the 2017 NBA Draft that did not get a guaranteed contract or wind up as a two-way player for the organization that drafted him.



There may not be a better example of just how hard it is to sign one of the 510 available NBA contracts than Williams-Goss.

His amateur career was as decorated as anyone in recent memory. After becoming the first, and still only, player to spend four seasons as a member of Findlay Prep’s basketball program, where he won two national titles, Williams-Goss was named a McDonald’s All-American and played in the Jordan Brand All-American game. He won a gold medal with USA Basketball playing for the U19s. He spent two all-Pac-12 seasons at Washington before transferring to Gonzaga, where he led the Zags to a nearly-undefeated regular season, a No. 1 ranking for the majority of the year and a trip to the national title game. He was named a first-team All-American for his troubles, becoming one of just five players in Division I history to be named an academic All-American and a first-team All-American.

After that national title game loss, after completing an undergraduate degree in Psychology and starting in on a masters in Organizational Leadership, Williams-Goss left school with a year of eligibility still on the table.

He was selected by the Utah Jazz with the 55th pick.

His lifelong dream of hearing his name called during the NBA draft had come true. The reward was being forced to fight for a roster spot on a team with three established NBA point guards and Donovan Mitchell, a lottery pick that turned into the best player in the draft class.

“That was an emotional night for me,” Williams-Goss said. “Because I know that I did everything I could possibly do to put myself in a better position than that.”

“I had proven myself every step of the way. For me, it was weird, because [NBA teams] had seen [me] perform at a high level on the biggest stages my entire career, and then to fall that far in the draft and watch guys that were nowhere near as accomplished as I was get picked in front of me was really tough.”

He had to face reality: The NBA draft is all about potential — some combination of youth, athletic ability and physical tools — and shooting. Williams-Goss was a redshirt junior when he left school and 23 years old before the season started. He’s a below-average athlete by the standards that come with being an NBA point guard, and in four years he shot 33.1 percent from three on nearly 300 attempts.

That combination is far from ideal, but a death knell for his NBA dreams it is not.

Because the Utah Jazz still want him, or at least they are not yet ready to dispose of him. He wasn’t relegated to Europe as much as he was placed there, a draft-and-stash prospect. He’s stayed in regular contact with people in the Jazz front office and, after winning an MVP award and a tournament title in February, he was sent a care package from Jazz General Manager Dennis Lindsay. According to a source with knowledge of the situation, the Jazz brass believed that spending a year overseas would benefit Williams-Goss more than if he had remained stateside as a G League player or on a two-way contract.

So after playing in the NBA summer league, Williams-Goss was faced with a decision: Accept an invite to training camp, where the Jazz had one roster spot available and four point guards on the roster, or get his passport ready. He met face-to-face with Lindsay and talked through all of his options, and all parties agreed that it was best to head to Europe.

“In my first year as a professional, it was important that I continue to develop and further my growth,” Williams-Goss said.

To do that, he needed to play.


Via Partizan

Partizan is one of the most storied clubs in all of European basketball.

A powerhouse in Serbia, Partizan has sent the likes of Vlade Divac, Bogdan Bogdanovic, Nikola Peković and Jan Vesely to the NBA, and they’ve won more trophies than any other club in Serbia: 21 Serbian League championships, 14 Serbian Cups, six Adriatic League titles and the 1992 EuroLeague title, the most prestigious of the bunch.

But prior to Williams-Goss’ arrival in Belgrade, Partizan had been stumbling. It had been four years since the Black And Whites had won one of the four competitions they play in annually, an eternity for the Grobari. To make matters worse, their failures in the Adriatic League, which features teams from the seven countries that previously made up Yugoslavia and is considered one of the very best in the world outside of the NBA, coincided with archrival Red Star-Belgrade was representing Serbia in the EuroLeague, basketball’s equivalent to soccer’s Champions League; Luka Doncic was recently named the EuroLeague MVP.

And, as it would turn out, Williams-Goss would become the savior Partizan was looking for.

Despite beginning the year playing for a coach that spoke no English while playing abroad for the first time in his life on a team that was, and still is, in financial disarray, the Gonzaga product still managed to put together a masterful season, averaging 16.9 points and 6.8 assists across all competitions.

But most importantly, he was the MVP of the Korać Cup — the Serbian League’s equivalent of a conference tournament — as Partizan won their first trophy in four years by defeating the reigning evil empire, Red Star, in the finals.

Williams-Goss had 23 points and seven assists in the title game. He had become a sensation in Belgrade, living up to the burden that came with the All-American tag. The Grobari knew who he was before he showed up in their city. With notoriety comes expectation, and Williams-Goss handled it better than anyone could have asked for.

“There was a lot of pressure on my shoulders from fans even though I was a rookie,” he said. Partizan has always had a reputation for being a place that young talents can go to shine, and Williams-Goss was the latest — and the rare American — to be burdened with that honor. “The success of a season is determined by how many trophies you can rack up in a year, because it’s not like college or the NBA where there’s only one final trophy. There’s a lot of different leagues. Not having a single trophy for almost four years, and then to do it this year with such a young group being led by an American rookie, was special.”

And he wasn’t kidding.

One afternoon, before the season had come to an end and Williams-Goss had returned to the states, he was walking past a cafe on a Belgrade street when he was recognized. Three of the employees of that cafe came sprinting out and grabbed Williams-Goss before he was out of sight.

“They made me come in and made me a cake with my number on it,” he said.

That’s one way to say thank you.


Courtesy Nigel Williams-Goss

Williams-Goss has some options heading into the summer.

The word is out about how well he adjusted to playing European basketball, and EuroLeague suitors have already come calling. There’s a market for him in Europe, one where he should be able to double what was reported to be a $130,000 salary; keep in mind, for most European teams, the salary they pay is take home money. They’ll cover things like rent, travel and even taxes.

As good as that sounds, the dream isn’t to play in the EuroLeague.

The dream is the NBA, and the Utah Jazz still own the rights to Williams-Goss. Mitchell isn’t going anywhere anytime soon and Rubio still has another year on his contract. Exum and Neto are both at the end of their rookie contracts, and while the expectation is that the Jazz will try to sign Exum to a longer deal — he’s been a very effective piece when his body doesn’t fail him — should Williams-Goss head to training camp with the Jazz, he’d likely be competing with Neto for a spot.

If he makes the team, great. If he’s cut, suddenly he’s a free agent and available for other NBA teams to sign, but that comes with a significant amount of risk as well. European teams typically make their signings earlier in the calendar than that, which would make the market for Williams-Goss abroad smaller and, potentially, less lucrative.

He’s going to have some decisions to make, that much is certain.

But this is not a situation where he is going to be choosing between eight-figure deals and deciding which NBA city he wants to live. No matter how you slice it, Williams-Goss is a fringe NBA player right now despite the fact that the former Burger Boy and first-team All-American just finished an outstanding rookie campaign for one of the most storied clubs in Europe.

He knows first-hand just how hard it is to get to the NBA, which is why he was so frustrated seeing how many players without any chance of getting drafted announced their intentions to test the waters of the NBA draft this spring.

“If you know that you’re not that you’re really on that cusp and it is just for feedback, I don’t understand the point of announcing,” he said. “To me, it just looks like you’re doing it for the attention and for the non-basketball knowing peers and other people to think, ‘Aww man, this guy that we know is close to going to the NBA.'”

“There’s 60 picks,” he added, “but the game is international. There’s 60 picks for kids all over the world. It’s definitely one of the toughest jobs to get. But people know how tough it is, which is why this opportunity of announcing they can test the waters kind of gives them a feeling that they can show other people that they’re closer to that reality than they might actually.”

Williams-Goss was one of those kids three years ago. When he left Washington, he had the chance to put his name into the draft but declined. He knew he wasn’t ready. After two more years at Gonzaga, completing his degree and jump-starting his work on a masters, it was time.

“I’ve put myself in a great position moving forward,” Williams-Goss said, “whether that’s the NBA or an opportunity to move up in Europe.”

Hopefully, wherever he lands, he won’t have batteries being thrown at his head.

Duke freshman breaks Zion’s vertical jump record

Screengrab via DukeMBB
Leave a comment

Duke freshman Cassius Stanley has some big shoes to fill this season.

The 6-foot-5 California native went viral this week after he broke a program record in the vertical leap that had stood for … exactly one year.

That’s right.

We now have definitive proof that there is a player on the current Duke roster that might end up being a better dunker than the guy on last year’s roster:

LOL.

Yes, of course I’m kidding.

Zion is from another planet.

But that doesn’t change the fact that Cassius Stanley has been known as a freak athlete for years now, and that he’ll find a way to put at least one defender on a poster this season.

Evolution of Matt Painter: Most malleable coach in college basketball

Getty Images
Leave a comment

The second installment of our memorable moments series features Purdue.

The Boilermakers played two of the best games of last year’s tournament, and they exemplified just how malleable Matt Painter’s coaching is, and just how much that matters heading into next season.

RELATED: Looking back at Virginia’s title run

This is recency bias at it’s very finest, I can fully admit that, but I find it very hard to believe that you can find an example of a more heart-wrenching roller coaster ride of emotions than what Purdue fans experienced in Louisville during the second weekend of the NCAA tournament in 2019.

Let’s start with that Sweet 16 game against Tennessee. Purdue blew a 17-point second half lead before Ryan Cline made four straight threes in the final six minutes to put the Boilermakers in a position where a controversial foul sent Carsen Edwards to the free throw line. He made two of three to force overtime, where Purdue pulled away. After putting the Volunteers to bed, Matt Painter’s boys advanced to the Elite Eight to face Virginia, owners of the nation’s best defense, where Edwards went nuts, scoring 24 of his 42 points – and hitting six of his ten threes – in the final 13 minutes before a missed box out and this heads up play from Virginia’s Kihei Clark forced overtime and, eventually, cost the Boilermakers a trip to their first Final Four in 39 years:

My fingernails and voice were gone by the time Tony Bennett and Virginia officially advanced to the Final Four, and all I had on the line was a couple of bets.

(For the record, I took Tennessee in the Sweet 16 and Purdue in the Elite Eight. I lost both bets.)

But beyond my degeneracy, both of these games had something else in common – a Purdue player going absolutely bonkers to close out the game.

Against Tennessee, Cline scored 22 of his 27 points in the second half, hitting four straight threes in a five minute stretch to get the game to the extra period. Cline didn’t even end up as Purdue’s leading scorer on that night. Edwards, who had 29 points and fired up 14 threes, was. Those 29 points came in between back-to-back 42 point outbursts by the 33rd pick in the 2019 NBA Draft. In total, Edwards found a way to get up 61 threes in four NCAA tournament games. Cline was able to get off 34 threes in four games, and those two stats serve as a pretty fair summation of what Purdue basketball was during the 2018-19 season.

Purdue attempted 977 threes last year. Since 2010, only four high major teams have shot more threes in a single season than Purdue did last year – Villanova in each of the last two seasons, Auburn in 2018-19 and Michigan in 2017-18; the latter played in an NCAA record 41 games that season and averaged 2.5 fewer threes attempted per game than Purdue did this past season. The Boilermakers set a record for the most threes attempted in a Big Ten season with 501.

Edwards and Cline were the two guys that led the way. They took 646 threes combined last year, which is two-thirds of their team total. Edwards led the Big Ten in three-pointers attempted during league play. Cline finished second. Combined, they shot more threes – 327 in total – than Minnesota’s entire team.

And that’s fascinating to me.

Because just four years ago, the Boilermakers finished 12th in the Big Ten in three pointers attempted with just 332 as a team. That season, the first in a four-year stretch where Purdue has been arguably the best program in the Big Ten, 24.8 percent of Purdue’s offense came via post-ups.

For the record, that number is insane.

Oral Roberts finished second nationally in that stat in 2016, finishing with just over 18 percent of their offense coming via post-ups. Since the 2007-08 season – which is as far back as I’m willing to trust Synergy’s data – only three teams have finished the season running more than 21 percent of their through the post: Purdue in 2015-16, Purdue in 2016-17 and Stanford in 2007-08, the final year that the Lopez twins were in Palo Alto.

But there’s more.

This past season, just 7.4 percent of Purdue’s offense came via post-ups. In 2011-12, Robbie Hummel’s final season with the program, that number was just 2.9 percent.

In the span of seven years, Matt Painter went from running a program that played Hummel, a 6-foot-8 small forward, at the five to one that paired Caleb Swanigan with Isaac Haas to one that rode Edwards going full YOLO to within a Mamadi Diakite buzzer-beater of the Final Four.

That is not normal.

And it should tell you all you need to know about the man running things in West Lafayette.


(Getty Images)

Robbie Hummel remembers it like it was yesterday.

It’s early December in 2011, just nine games into his senior season, and Purdue is fresh off of blowing a 19-point second half lead in a loss in Cincinnati to No. 11 Xavier. He’s with the rest of his team in the film room, watching as Painter is going over everything that went wrong on that Saturday in the Cintas Center. When you blow a 19-point lead in less than 11 minutes, a lot went wrong.

Hummel’s not looking forward to it. He scored 17 points, but it took him 21 shots to get there. He didn’t play great, but there is one shot in particular that he’s dreading. He knows it’s going to be in the edit that Painter shows. With more than 20 seconds left on the shot clock, he waves off not one but two different Purdue guards. He squares up Xavier’s Travis Taylor. He goes between his legs, he crosses over, he puts the ball back between his legs, takes one dribble to get into a rhythm and lets loose with a 24-foot three that hits nothing but air.

It’s not even close.

When it shows up on the screen, he knows what’s coming.

“Robbie,” Painter says, without a hint of sarcasm in his voice, “that’s the worst f***ing shot in the history of basketball.”

And Painter is right.

The announcers on the broadcast point out how bad the shot is. His teammates at the time know it’s an awful shot. Watching the clip now, Hummel says it’s “just a horrific possession and shot,” laughing with the benefit of hindsight.

I’m telling you that story because it’s funny. Anyone that knows Painter has a story like that, he’s just that kind of a guy. Maybe one day I’ll share the one I heard about the time Pat Knight hosted him on a recruiting visit at Indiana, but first I’ll need to iron out what’s fact, what’s legend and what is forever off the record. Again, that’s the kind of guy he is.

But it also serves to drive home a point, one that I kept hearing from people is what makes Painter so damn good as a coach: His ability to identify what, specifically, his players can do great, how to put them in a position to take advantage of those skills and – this is the important part – convincing them that they need to fully understand their own scouting report and play within their own abilities.

“Everybody looks at ‘talent,'” Painter told me last month, “but talent is overrated if someone is not going to play within the limits of what they can and cannot do. The more guys embrace that, the more productive they can be.”

And, in turn, the better the team can be.

The story I told you?

It’s the perfect example of this.

As a senior, Hummel was an All-American. As a junior, before suffering a pair of torn ACLs within the span of nine months, he averaged 15.7 points for a team that was one of the five best in America. As a senior two years later, he averaged 16.4 points before becoming a second round pick. He was a damn good college player, one of the best to ever set foot in Mackey Arena.

And that shot?

The worst f***ing shot in the history of basketball?

It looks an awful lot like these, doesn’t it?

Ask guys that have played for Painter about him, and they’ll tell you that he is very much a believer in the idea of confidence. He doesn’t want his players to be thinking when they are on the floor. If they have a chance to make a play or take a shot, he wants them to let it fly without being concerned that they’ll get yanked if they miss. But that comes with the caveat that his guys understand that what is a good shot for them differs from what is a good shot for him.

Edwards was the best in the country at what he did last season. He’ll spend a decade playing in the NBA specifically because of his ability to score, to make tough, deep, contested shots. “He’s got the juice,” Painter said. Likewise, Cline was one of the Big Ten’s very best shooters, and when he gets into the kind of rhythm that he was in against Tennessee, Painter is going to let him go. He has the ability to make those shots.

Hummel, as good as he was, is not a guy you want going 1-on-1 35 feet from the rim and settling for a contested, pull-up three. That’s not his game, but it is a good way to blow a 19-point lead on the road.

Which brings me back to the top.

Those post-ups.

In 2015-16, Purdue laid claim to the biggest and strongest frontline you’re ever going to see. They started 6-foot-9, 250 pound Caleb Swanigan at the four alongside either A.J. Hammons – who stood 7-foot, 250 pounds – or Isaac Haas – who checked in at 7-foot-2, 282 pounds. The following season, after Hammons graduated, Swanigan and Haas started together.

In 2017-18, Purdue ran out a lineup that looked different but played the same. Instead of using lineups predominantly featuring a pair of posts playing together, the Boilermakers put four perimeter players around Haas. That season, “only” 16 percent of their offense came via post-ups, which was sixth nationally.

“We had some really good big guys,” Greg Gary, who ran Purdue’s offense for the last four seasons, said. “That was our advantage. Our guards would get mad because we threw it in so much.”

The advantage for the Boilermakers lay in the fact that they forced the defense into making a decision. There were few, if any, players in the college ranks that were capable of slowing down any of those three Purdue bigs 1-on-1 in the post. If they got the ball where they wanted it, they were going to score. They were probably going to draw a foul. They would get your frontline into all kinds of foul trouble. You had to double, but doing so meant leaving someone that was a very good three-point shooter, because every perimeter player on the Purdue roster in recent seasons was a good three-point shooter.

Over the course of the last four seasons, even with a roster that featured the best post-up play in the country in three of those four seasons, Purdue has shot 36.7 percent, 40.2 percent, 42 percent and 37.4 percent from three. At worst, they were in the 80th percentile nationally from beyond the arc.

There is no better example of this than in 2017-18. That was the best offensive team Painter has ever had. They were the second most efficient offense in the country that season, trailing only national champion Villanova, who set a KenPom era record for efficiency that season. Your choice was either allowing Haas – who shot 61.7 percent from the floor, drew seven fouls per 40 minutes and made better than 75 percent of his free throws – to go 1-on-1, or you double-teamed him by leaving one of Carsen Edwards (40.6% 3PT), Vincent Edwards (39.8% 3PT), Dakota Mathias (46.6% 3PT), Ryan Cline (39.6% 3PT) or P.J. Thompson (44.1% 3PT).

So you tell me.

How do you stop that?

Everything changed this past season.

Matt Haarms took over as the starting center. He may be 7-foot-3, but he is not the post presence of his predecessors. Trevion Williams is going to be good, but he was a 280 pound freshman that just wasn’t ready. What that meant was that the Purdue coaching staff had to figure out something different.


(AP Photo/Michael Conroy)

Purdue has one of the biggest playbooks in college basketball.

Painter estimates that they have roughly 50 plays, but each one of those plays can be initiated from multiple different looks and they all have counters to the counters that are countering a counter.

“We would get a stapled booklet with all the plays every year during preseason,” Cline said, adding that often times offseason pick-up games would double as playbook study halls, because “if you don’t know the plays, you don’t play.

“There’s so many different play calls, five word sentences where one word changes [the play].”

Edwards used to joke with Gary that the play book “was my toughest class at Purdue.”

As a result, so much of Purdue’s success on the offensive end of the floor comes down to execution and deception. They don’t win off of raw talent. They win because the players excel at doing what the coaching staff asks them to do, and the coaching staff excels at figuring out exactly where they have an edge.

From 2015-2017, the answer was pounding the ball into the paint as much as humanly possible. When every post touch turns into David vs. Goliath, and you have Goliath, you give him the rock.

In 2017-18, it was forcing defenses to choose between guarding Mr. Incredible with one guy or playing 4-on-3 against four of the best shooters you’ll find in the college ranks.

This past season, the coaching staff figured out that there were three things they could build an offense around:

1. Edwards’ speed. He is not only one of the fastest players on any basketball court he steps foot on, he’s an absolute nightmare to chase around screens because he’s small, he’s compact, he can maneuver around screens better than anyone chasing him and he’s capable of rising up and drilling a catch-and-shoot three at top speed, especially when running to his left.

2. Haarms’ mobility. He can really move for a man his size. He can also handle the ball, he thrives in dribble-handoff actions and he has an innate understanding of when he can slip a screen and get a free run at the rim.

3. Cline’s awkward release. He has something of a slingshot motion that he fires from behind his head with a natural fade. That makes it very difficult to contest, especially when he is sprinting around screens to his right. He also proved himself an excellent passer and decision-maker, capable of hitting a big man rolling to the rim.

The result was an offense that, quite literally, turned into Edwards and Cline running circles around the court.

“We just had so much more movement because of not having a low post guy down there,” Gary said. “When you throw it to a guy in the post it gets stagnant. You try to get the big guy as much space as possible. We weren’t going to overpower anybody, so we had to have movement to occupy both sides of the floor.”

Imagine trying to guard this.

Imagine chasing Carsen Edwards off of a triple-screen. Imagine being a center 22 feet from the rim knowing that if you don’t help, Ryan Cline might bang a three in your face, but if you do help, Matt Haarms will slip the screen and find himself all alone in the paint without anyone within 10 feet of him.

And now imagine doing all of that knowing that one word is all it takes to change what action Purdue will be looking for, or that they can run the same thing out of three different looks.

Here’s the perfect example. Purdue ran the same action – a dribble-handoff in the middle of the floor that acts as a double-pindown for a shooter – 10 times in the Tennessee game. Look at how many different options they have, and how many ways they can get into it:

Perhaps the most frustrating part, at least if you are a member of that Purdue coaching staff, is that you’re going back to the drawing board next year.

Edwards is gone. Cline is gone. Gary is gone, too. That’s a huge chunk of their offense, the two guys they built the way they played around, not to mention the guy that was in charge of building it. What’s left is … well, it’s different.

But it’s also familiar.

Of Purdue’s five best players next season, there’s a reasonable argument to make that four of them will be bigs – Haarms, Williams, Aaron Wheeler and Evan Boudreaux – and the fifth will be a guard – Nojel Eastern – that has shot 3-for-13 from three in two years.

Bringing in Jahaad Proctor from High Point, a grad transfer lead guard, will help, and sophomore guards Sasha Stefanovic and Eric Hunter did have their moments last season. Frankly, Painter seems to like what he has in his program, and their new offensive coordinator – Micah Shrewsberry – has already spent time on Purdue’s staff, in between spending time with Brad Stevens at Butler and in Boston.

They’re in good hands.

“There’s a really big sophomore jump with talented guys,” he said, “and we had four freshmen come off the bench that will now be sophomores. I think all four of them will have good years, and Nojel and Matt will be able to expand what they’re doing.

“I think the one think we have to make sure is that we don’t try to make anyone Carsen or Caleb. Allow guys to be the best version of themselves and play through that.”

It’s Painter’s job to figure out what, exactly, “the best version of themselves” is.

Duke lands D.J. Steward, third commitment in the Class of 2020

Justin K. Aller/Getty Images
1 Comment

Duke landed their third commitment in the Class of 2020 on Wednesday, as Chicago shooting guard D.J. Steward pledged to play his college ball for Coach K.

A high-volume scorer and potent shot-maker, the 6-foot-2 Steward visited Duke over the weekend before committing.

“Me and my family were amazed on our official visit, we loved the principals of Duke, and how united Duke is as a basketball program,” Steward told Rivals.com. “At Duke I will be able to get the best of both worlds; education wise and on the court playing on the biggest stage possible night in and night out.

“I will get to chase my goals and be one step closer to achieving my dream of playing in the NBA. Also I will be able to develop as a person off the court and as a ball player while playing under the most winningest coach in history, Coach K.”

Steward joins five-star forward Jalen Johnson and five-star point guard Jeremy Roach in Duke’s 2020 recruiting class. Johnson is the quintessential small-ball four that we have seen arrive in Durham in recent classes, while Roach appears to be the heir apparent to Tre Jones at the point guard spot. Steward should fit in nicely playing off the ball for the Blue Devils, who can always use some excess shot-making.

Duke is far from done here, as they are in the mix for the likes of Walker Kessler, Ziaire Williams and Henry Coleman.

New York senator the latest to propose bill to abolish amateurism

Johnny Nunez/WireImage
3 Comments

A second state now has legislation in the works that would make it legal for college athletes to profit off of their name, image and likeness.

Kevin Parker, a New York state senator from Brooklyn, has proposed a bill similar to California’s Fair Pay To Play act, not only giving college athletes the ability to sell their NIL rights but also requiring athletic departments to give a 15 percent share of their annual revenue to the student-athletes. California’s bill, which will go into effect in 2023 if it is signed into law by Governor Gavin Newsom, would make removing a student-athlete from their scholarship for accepting endorsement money illegal.

“It’s about equity,” Parker told ESPN. “These young people are adding their skill, talent and labor to these universities.

“You don’t need the shortcuts and the end-arounds because now we’re providing some real support for these student-athletes.”

New York joins the growing list of organizations that are pushing back against the NCAA’s rules on amateurism. South Carolina, Maryland, Colorado and Washington have had legislators discuss whether or not to make similar changes to the law, while Congressmen from North Carolina and Connecticut have made pushes at the federal level. Democratic Presidential candidate Anrew Yang has blasted the NCAA over their amateurism rules, while just last week, NBA agents made public the fact that they will be refusing to register for the NCAA’s proposed certification process.

Rick Pitino, Louisville settle lawsuit

INDIANAPOLIS, IN - MARCH 19: Head coach Rick Pitino of the Louisville Cardinals looks on in the first half against the Michigan Wolverines during the second round of the 2017 NCAA Men's Basketball Tournament at the Bankers Life Fieldhouse on March 19, 2017 in Indianapolis, Indiana. (Photo by Joe Robbins/Getty Images)
Joe Robbins/Getty Images
2 Comments

The University of Louisville and former head coach Rick Pitino have reached a joint agreement to drop their lawsuits against each other.

The two sides “have mutually agreed to dismiss their legal claims against each other, designate his departure as a resignation and move forward,” according to a joint statement that was released by the University and Pitino. Pitino will not be paid any money as a result of this settlement, but he departure will now be classified as a resignation, effective Oct. 3rd, 2017.

Pitino had sued Louisville for somewhere around $40 million.

“For 17 years, Coach Pitino ran a program that combined excellence on the court with a commitment to the program’s student-athletes, their academic achievement, and their futures in and out of basketball,” the state said. “Nevertheless, there were NCAA infractions during his term which led to serious consequences for the university. Although these infractions may not have occurred at Pitino’s direction or with his knowledge, the problems leading to NCAA infractions happened under his leadership. We thank Coach Pitino for his years of service to the University of Louisville basketball program and wish him well.”

“Today I move on to a new chapter in my life,” a statement from Pitino reads. “Against my lawyer’s advice, I’m dropping my lawsuit with ULAA. I am very proud of the many accomplishments my teams achieved at Louisville. I’m so thankful and honored to coach such dedicated athletes. I’m also disappointed in how it ended. But as head coach I am held responsible for the actions of all team members. I still have so much passion for the game and so many goals I want to achieve. From this day forward I start my climb.”